| |
 |
|
| 2001 |
|
one man |
arrows, oblique |
BODY, interrupted |
|
| 2000 |
|
a man wearing boots of salt |
2lips |
DanceIS |
Movement is a woman (festival) |
|
| 1999 |
|
coherent policy (Moving into Dance in Johannesburg, South Africa/Shuffle99 project) |
R.A.I.N. (Suffolk/Shuffle99 project) |
Friday |
|
| 1998 |
|
Artificial Nose |
Text 1/Artificial Nose |
Vit-lycka |
Stop |
Several steps with a fake stop mid-turn |
Make Believe |
R.A.I.N. (Cross Currents/Caleidoscope Project) |
Revolt, or? (school performance-Cross Currents/Caleidoscope Project) |
|
| 1997 |
|
The Wave – The Labyrinth of Listening |
Pass-port (University College of Dance) |
Parerga |
Talking Dancing (festival) |
Invisible song of walking (Helsinki City Theatre Dance Company, Helsinki, Finland) |
Invisible song of walking (Nye Carte Blanche, Bergen, Norway) |
|
| 1996 |
|
First Reading of a Wave – The Privilege of the Eye |
crows, third & fall |
Invisible Song of Walking |
|
| 1995 |
|
3x5 (University College of Dance) |
Block 1 |
Block 2 (Skånes Dansteater) |
|
| 1994 |
|
PETROLIO - accumulation of materia |
|
| 1993 |
|
Paragraphs of Disobedience (Norrköpings Baletten) |
Luege |
Leftovers of Lies |
White |
Scrap Iron |
|
| 1992 |
|
Short Cuts |
Bandy - compact living |
Ubergang |
Alice (school performance) |
|
| 1991 |
|
Ancora 1. (Århus Dance Company, Denmark) |
Ancora 2. |
Ancora 3. |
|
| 1990 |
|
|
| 1988 |
|
|
| 1987 |
|
|
| 1986 |
|
Furit Aestus |
Dance is a language (school performance) |
|