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Mark Franko Professor of Dance and Performance, University of California, Santa Cruz, from 2012 co-researcher in the project mediality gesturality reciprocity – Choreography as the Weaving Labour of Politics.
Editor of Dance Research Journal and founding editor of the Oxford Studies in Dance Theory book series. His books have been translated into French, Italian, and Slovenian; they include Dance as Text: Ideologies of the Baroque Body, Dancing Modernism/Performing Politics and The Work of Dance: Labor, Movement, and Identity in the 1930s. He edited Ritual and Event: Interdisciplinary Perspectives, and co-edited Acting on the Past: Historical Performance Across the Disciplines. His choreography has been produced at Lincoln Center Out-of-Doors Festival, Berlin Werkstatt Festival, Getty Center, Montpellier Opera, Toulon Art Museum, Haggerty Art Museum (Milwaukee), Akademie der Künste (Berlin), Mozarteum (Salzburg), and at many New York and San Francisco dance venues. He is currently finishing a book on Martha Graham, antifascism, myth and psychoanalysis in the 1940s. |
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Tobias Hallgren light designer for ccap productions ssolo (2006), on point(s)only (2006-2007) - in which he also participated as dancer, Cicada and cicadaremix (2008), cccover (2009). Tobias is also technical director for cut-outs & trees and ccap touring 2011-2012.
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Mateusz Herczka artist who works with different projects in which the common denominator is an interest in research within biosciences and artificial intelligence. He has been co-creator in several of Cristina Caprioli’s ccap productions, such as BODY-interrupted (2001), Ti. and my lips (2002), t.lab (in which he also appeared as performer) and t.ingen (2004) and most recently decover (2008).
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Emelie Johansson has collaborated with ccap in cut-outs & trees (2010), cover2, cloth (under cover), cover11, cover22/1, cover22/2 (2011), cover22/3, cover22/4 (2012), and TREES (2011 and 2012). She will continue working with ccap in 2012 in ongoing and upcoming projects, as well as contrinuite to office work.
Emelie is educated at Balettakademien Stockholm, DOCH and academic studies at the Stockholm University a.o. She has performed in works by Swedish choreographers Rasmus Ölme, Anna Koch, Malin Hellkvist Sellén and german artist Tino Sehgal. Emelis has also performed in musicals at the Royal Dramatic Theatre and choreographed/produced/performed with the constellation Ratatapang.
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Johan Jönson Swedish author and poet since fall 2011 a ccap collaborator in the production textduo and research project/Symposium Choreography as the Weaving Labour of Politics December 14 – 16, 2012 in Stockholm.
Recent publications - med.bort.in (2012), Livdikt (2010), Restaktivitet (2007), Collobert Orbital (2006), Monomtrl (2005). His book Efter Arbetschema (2008) earned a nomination for the Nordic Council Literature Prize in 2009 and received Aftonbladets Annual Literature Prize in 2008. Livdikt was nominated for August price 2010. He has also written several plays for touring theatre group Teatermaskinen, which include Zoembient (2010), Logosfält (2005) and the trilogy gränsmaterial ww4, extasy +/- noll and woyzeckmaskinen (1999-2003). |
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| Håkan Larsson is still photographer with an experienced eye on dance, specialized in capturing the moment. Håkan is formerly a profesional dancer himself having worked with Cullberg Ballet, Scapino Ballet in Rotterdam, Holland and Den Norske Opera & Balett, Oslo, Norway, to name a few. Press photographer and visual arts collaborator since 2010. |
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Madeleine Lindh has collaborated with ccap in cut-outs & trees (2010), cover2 and cover11 (2011), cover22/1 & cover22/2 (2011), cover22/3 & cover 22/4 (2012) and TREES (2011 and 2012). The collaboration with ccap continues! During 2012 she will, beside tipping, tilting and twisting, be in charge of editing of ccap video documentation.
Madeleine is educated at The Royal Swedish Ballet School. She has danced with Europa Dance Youth Company where she performed in pieces by among others Mats Ek, Hans van Manen and Thierry Malandin. She then joined D.A.N.C.E (Dance Apprentice Network aCross Europe), and worked with and performed in pieces by William Forsythe, Wayne McGregor, Angelin Preljocaj and Frédéric Flamand. Since returning to Sweden she has mainly worked with choreographer Björn Säfsten and Cristina Caprioli. Madeleine has initiated the dance film project BodyMap together with the interdisciplinary dance film group Rhododdendron.
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Panagiotis Michalatos architect registered in Greece and UK. He holds an MSc in applied IT from Chalmers Technical University in Sweden. He is currently working as a computational design researcher for the London based structural engineering firm AKT. While in AKT along with colleague Sawako Kaijima they provided consultancy and developed computational solutions for a range of high profile projects by architecture practices such as ZHA, Thomas Heatherwick, Fosters and partners, Future systems and others. Their work, in the development of computational design as a quasi-discipline in-between disciplines has been published and presented in international conferences. They have also developed a range of software applications for the intuitive and creative use of structural engineering methods in design. Panagioti's work in interaction design and digital media has resulted in a long collaboration with Stockholm based contemporary dance production company CCAP, most recently for the performance "cut-outs and trees" that was shown in Venice Dance Biennal 2010.
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Katya Sandomirskaja is an art historian educated at Södertörn University. In 2012 at ccap as project coordinator for the Symposium Choreography as the Weaving Labour of Politics.
With a background experience as gallery and artist assistant, lived in Berlin where she wrote her thesis on the socio-economic effects of Berlin's young art scene. 2011 worked as an assistant within the interdisciplinary research project Translatability – a collaboration between Södertörn University, Bonniers Konsthall and Albert Bonnier publisher. There she worked with the production of the group exhibition The Spiral and the Square, as well as with organizing seminars, lectures and a film festival. Parallel to this she works with web and media production focusing on young art professionals. In 2012 teaching a web workshop at KKH, Royal Institute of Art in Stockholm. |
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Sven-Olov Wallenstein philosopher, writer and critic in the fields of aesthetics and contemporary art. Theaches at Södertörn university. Wallenstein has published a number of books on philosophy, art, architecture and translated Immanuel Kant, Martin Heidegger, Gilles Deleuze, Jacques Derrida and Giorgio Agamben. He is chief editor of Site Magazine and was founder and co-editor of Kris and Material. Has collaborated with Cristina Caprioli on the editing and translating processes of the dance anthology Choreographies (2008).
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